When I first heard the title of Dr. Nina Ansary’s latest book, Jewels of Allah, on the life of women in Iran, I must admit I had to restrain myself.
In general I’m pretty wary about labelling women as two-dimensional objects, whether in a negative (‘lollipops’) or positive (‘pearl in its shell’) way. Ansary explains that the title is “meant to convey that women, who have been ordained as inferior [by hardline conservative factions] are in fact the jewels of the Creator”.
The book promises to tell the “untold story of women in Iran,” and it doesn’t disappoint in some ways. The first chapter begins with a determined tracing through centuries of history aiming to correct misconceptions about the popular narratives about women’s lives in Iran over the last 40 years. The popular narrative, according to Ansary, is one that creates a dichotomy between the free/modern/active/miniskirt-wearing Iranian woman during the Pahlavi monarchy and the gender-segregated/restricted/veiled Iranian woman in post-1979 Islamic Revolution Iran under Ayatollah Khomeini.
I feel optimistic when Ansary writes, “The real story is usually much more complicated, nuanced and less tidy.” These are the misconceptions she addresses in her book (one point per chapter):
Chapter 2 looks at Ancient Persia and the then prevailing religion of Zoroastrianism, which she describes as egalitarian and progressive. Then, the 7th century Arab invasion and the “eventual infusion of Islamic values” into Persian society results in the loss of women’s equal status with men and their social separation, loss of educational opportunities. In the chapter, one hadith about women’s “brains [being] incapable of retaining knowledge” is quoted as if it were a widespread Islamic belief. Next, the chapter argues that women were granted a brief respite from oppression under the Iranian and Turkic dynasties from 9th to 13th centuries. However, the Safavid dynasty brought back the patriarchy, packaged in conservative Shia doctrine and persisting to this day.
Chapter 3 and 4 look at the nuances (as promised!) behind the Pahlavi and Khomeini eras. She argues that (conservative) rural women were not empowered under Pahlavi because their families kept them at home from school, while under Khomeini, a “failed gender ideology” resulted in women being empowered through education, despite legal and social efforts to oppress them. Chapter 4 contains a few rather extensive analyses of gender roles in elementary school textbooks, which read like standalone research essays.
Chapter 5, 6 and 7 look at the ups and downs of alliances between secular and religious feminists by tracing the development of various feminist publications and magazines.
In the epilogue, Ansary highlights about 100 historical and contemporary Iranian women, over centuries, who espoused the feminist ideology of their times (these were previously posted on her Facebook page from March 2014 to May 2015). These women include scientists, artists, professionals and even a Paralympic athlete; this incredible collection is great for showing that Iranian women are not oppressed, have done many amazing things, and come from all walks of life – in short, they’re real people.
I also liked that she started the book with a story of her two grandmothers. Bringing in the personal helps give more context and motivation for why she wrote the book, something that authors should but rarely do.
Chapter 5 also includes a great explanation of Islamic feminism, and how religious and secular feminists in Iran work within a religious framework to advocate for women’s rights. A list of “Iran’s Islamic feminist movement” includes professor Dr. Jamileh Kadivar, journalist Parvin Ardalan, human rights activist Mehrangiz Kar, Nobel Laureate Shirin Ebadi and founder of Zanan magazine Shahla Sherkat. Other scholars mentioned include Nayereh Tohidi, Afsaneh Najmabadi, Haleh Afshar, Valentine Moghadam and Ziba Mir-Hosseini. A selection of quotes from these women indicates that they differentiate Islam as a religion from interpretation of Islamic laws and regulations – a point which is not so clear in the rest of the book.
One problem is the romantisation of history and, in particular, of Zoroastrian culture as being a gender utopia. Further, the framing of the Arab invasion and Safavid dynasty as being severely gender unequal serves to frame the empires in between as seemingly more egalitarian. In reality, analyses of these periods deserve just as much nuance (based on other intersectionalities such as sex, race/tribe, class) given to the Pahlavi and Khomeini eras. While there were certainly female leaders and commanders in Persian cities and states in 6th century BC, what class of women could reach these ranks? Most probably educated women of noble lineage.
Walter Benjamin wrote in On the Concept of History (1940)about a painting calledAngelus Novus by Klee. The painting teaches us that our view of history as a sequence of events only serves to justify a certain narrative.
“Where we see the appearance of a chain of events, he sees one single catastrophe, which unceasingly piles rubble on top of rubble and hurls it before his feet (…) The storm drives him irresistibly into the future, to which his back is turned, while the rubble-heap before him grows sky-high. That which we call progress, is this storm.”
Furthermore, there were other problematic themes that kept popping up throughout the book. One was the framing of women who ‘veil’ as being conservative and those who don’t veil as being free. One of the first notable women Ansary features in her book is Sadiqeh Dowlatabadi (1882-1961), “one of the most distinguished advocates for female education” (p.28). She reportedly said on her deathbed: “I will never forgive anyone who visits my grave veiled”. This quote is not explained or given any further context or nuance, leaving the reader to conclude that veiling can only be an unfeminist and unempowered act. (In her epilogue she also features Masih Alinejad, creator of My Stealth Freedom Facebook page for women to post photos of themselves without a headscarf.)
Compare this to a description of ‘Rejected Princess’ Naziq al-Abid, Syria’s first female general in history, and for whom going veil-less was also a big part of her life.
“She’s seen here ripping off a veil, since going veil-less was a big part of her life. Not that there’s anything wrong with choosing to wear a veil — she just didn’t have that choice for the most part, although she wanted it badly.”
The conspicuous lack of context is odd, as Ansary seems aware that there is more symbolism to the veil than the oppression-freedom dichotomy. The book shows that she is aware that there are other bigger factors that determine a women’s empowerment, such as laws and educational opportunities. This is evident in how she describes Khomeini’s ‘Islamic Government’:
“a misogynistic regimen […] embedded in a constitution reinforcing the primacy of the Sharia (Islamic law) over civil law and the absolute leadership of a Shiite jurist over popular sovereignty.” (p.200)
So it is puzzling why she does not give more nuance where it is so crucially needed.
This lack of linkage to larger political factors and global processes can result in readers making problematic conclusions. Gina B Nahai, in her review of the book, laments the lack of a “satisfying explanation” as to why “an estimated million women actively took part in the overthrow of the Shah and the return of the ayatollahs to Iran”. Nahai ends up blaming Islam as a monolithic patriarchal force, and Allah as a patriarchal god, for the problems of Iranian women. (Perhaps she didn’t read the final chapters where religious and secular Iranian women show how they are able to articulate gender equality in laws within an Islamic framework, through an ideology otherwise known as Islamic feminism.).
The final chapter also comes to an odd conclusion as to how women in Iran can achieve equality. It mainly argues for a reform of Islam based on “theological reform in Western nations”, based on the work of German priest Martin Luther and Friedrich Nietzsche. There is no mention at all of Islamic laws in other countries that do not have the same outcomes as Iran. Even a cursory look at other Muslim majority countries such as Tunisia or Indonesia could show how gender equality is not solely determined by laws or religion, but also other factors like increased employment or improvement in standards of living.
A public relations sheet that came with the book highlighted some publications and organisations that have featured her book. One organisation that stood out was The Clarion Project, which has infamously produced several Islamophobic films, the most recent being Honor Diaries. This rightwing organisation aims to “challenge extremism”, but in reality it provides a simplistic view of ‘Muslim extremism’ in order to perpetuate a cruel and oppressive image of an all-monolithic Islam. Despite this, in her interview with The Clarion Project, I think Ansary has bravely attempted to include some nuance about Iran’s gender inequality, highlighting that the West has its own gender inequality issues too.
The language in Ansary’s book is easy to read, but it is held back by its pace. I felt like I was reading different essays cobbled together: some delving into too much detail in some topics (analysis of elementary textbooks) and some skimming over topics that needed more analysis (tracing of feminist alliances, Muslim reformers from within).
Most importantly, when I finished the book, I realised that state-sponsored terror existed under both Pahlavi/free and Khomeini/oppressed regimes. Not many readers may know that under Pahlavi, police beat up veiled women and forcibly removed their veils. Today, the basij or religious police do the same to women who are ‘improperly’ veiled. It’s an authoritarian state that imposes a regime on its people that creates oppression, not religion or a veil.
While Ansary extensively looks at the actions of the Iranian state (censorship of feminist magazines, changing of laws, the overall impression that her book gives is that patriarchy/male supremacy/culture/religion is to blame for the oppressive and misogynist laws in Iran’s history. I think she could have done a better job in differentiating Islam as a belief system from Islam as a set of legal interpretations that vary across time and space. Similarly, I think Ansary should have clearly explained that there are a multitude of meanings behind a veil or hijab; that women may wear it for many reasons that are not immediately visible from the outside.
This book may be useful to those looking for historical references and a simple discussion of Iran’s political environment; however, the book can be heavily critiqued from various feminist perspectives and is a limited contribution to the work of Islamic and Muslim feminists.